Caution: Set Designer at Work

 

Our Town backdrop
Our Town backdrop

My husband Rex was a brilliant set designer. He did his best work in the scene shop behind the theatre at Cal State Dominguez Hills, where we worked together for 25 years.

The shop was 50 x 100 feet with 30 foot ceilings, and every inch had a designated purpose. There was a long work bench along the north wall with power saws spinning, and the smell of sawdust everywhere. To me it sounded like a dentist’s office, but to Rex it was wonderland and he was in his glory. He was proud to be working with students and helping them build the sets he’d designed. When it was all put together I’d find him alone on stage, hanging from a cherry picker to touch up the paint.

Backdrop for theatre design
Here’s To Love

I loved coming into the shop to check on a set for a show I was directing. I’d call out his name and my voice would echo in the large concrete room. When he saw me, Rex’s face would light up. He’d always stop what he was doing and take a break. We’d go outside to catch up on our day, laugh about the students who were driving us nuts, and enjoy a high octane cup of coffee. Soon he’d go back to work and get lost again in the thing he loved more than anything in the world.

It was fascinating to watch Rex work, especially when he was painting a backdrop. There was a paint frame along the east wall of the shop. He hung the muslin for his drop along the top of the frame. With a push of a button, the frame would go up so he could reach the bottom with his brush. With another push of the button the frame went down, so he could paint along the top.

Backdrop for Gypsy
Gypsy: Farm Boys drop

He usually had students working the paint frame. They loved watching him transform a piece of muslin into a masterpiece. It could be the skyline of New York for Guys and Dolls, a sunny field with bales of hay for Oklahoma, or a quaint New England villiage complete with church and steeple for our favorite, Our Town.

I was one of the few who knew his secret weapon. Rex used a spray gun to create highlights and shadows. He used it with the focus of an orchestra conductor. He’d draw an outline of the scenery on the canvas, while a student mixed paint at the sink near the frame. Then he’d lay in the details, grab his gun and off he’d go. My husband was John Wayne of the paint frame, spraying in subtleties of color like he was waving a magic wand.

Backdrop for Guys and Dolls
Guys and Dolls

Rex was a genius, there’s no argument there. His need to create beautiful art was unrelenting. But like most geniuses, he had little concern for his own well-being while he was working. The hours he spent spraying paint on canvas without a mask, are too numerous to recount. And in the early days, he’d have a cigarette in his hand at the same time. Spray–breathe in fumes, spray–breathe in cigarette smoke, spray– and create phenomenal art.

guys and dolls backdrop
Guys and Dolls: Sewer drop

My husband’s work was astonishing, but he could have lived so much longer if he wasn’t so reckless with his health. Was that the madness of an artistic genius?  I knew I was talented, but I was jealous of Rex’s genius.  Maybe I was lucky to be spared. As the saying goes, “Talent does what it can and genius does what it must.” 

And now you are gone my love and I am alone. I’m angry and sad, and I miss you every single day.

Sydell Weiner, February 23, 2018

 

4 thoughts on “Caution: Set Designer at Work”

  1. I was one of those lucky students Sydell. A lot of magic happened in that scene shop. Rex with a spray gun was like a wizard and his wand. Pure genius!

  2. My dear Sydel, oh how I miss Rex and his love of his craft. I so enjoyed watching him transform a sketch to life. I lived it when we painted marble on the set. With a twirl of the brush, his lines became marble In front of my eyes. Then I had to do it. He would say, don’t worry, you can’t mess it up. So I did, and then the Master returned with the spray gun to set it in.

    I will never forget the times a shared a cup of coffee with him. I was lucky enough to work with him for many years. First as an actor in 2002 on Twelfth Night (Still my favorite set) and then as a student from 2007-2009. I came back and worked again as an actor, last time was 2012/2013.

    Lastly, I enjoyed the motorcycle ride around the coast and stopping for coffee.

    I thank god for sharing this great man, mentor, and friend with me and the students at CSUDH and the Carson community.

    ~Glen S. Jimenez ~

  3. Such a beautiful tribute. Rex was an artistic genius, anyone who saw h e work could attest to that. Every thing he did was amazing. His eye for detail. His co.or palettes. And above all, his passion for what he did. They say if you are passionate about what you do, it isn’t work. He was so lucky to have found his passion, And you ❤️❤️❤️

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